![]() Albeit all of these approaches are described in detail, the psychoanalytical approach is presented most elaborately, due to my prospects of becoming a teacher. Therefore, this paper will present five different approaches of analyzing fairy tales: the folklorist approach (based on Aarne, Thompson and Uther), the structural approach (based on Propp), the literary approach (based on Lüthi), the psycho-analytical approach (based on Freud and C.G. Moreover, I will identify the core elements of the tale and investigate the tale’s relation to other stories which deal with an animal groom such as ‘Cupid and Psyche,’ ‘Le Mouton,’ ‘Riquet à la houppe,’ and ‘East of the Sun and West of the Moon.’ Taken into consideration that ‘Beauty and the Beast-’ as well as other fairy tales- is multidimensional, scholars of different fields occupied themselves with the story, its classification, and provided several ideas for analyzing the tale. In the first part I will present the historic meaning and the development of the fairy tale genre. This paper is divided into a theoretical part and an analytical part. ![]() In other words, it is multidimensional in both academic and entertaining contexts. Considering that the core elements of the story flourished in many contexts, ‘Beauty and the Beast’ offers various ways of interpretation and recreation. However, the central motifs, main characters, conflicts, and symbolism of the story survived. ![]() Authors, script writers, and artists have turned the tale successfully into novels, short stories, (animated) movie adaptions, musicals, and even authors that create fantasy literature have taken up the idea of ‘Beauty and the Beast.’ Consequently, the tale has been told and adapted over time and reflect the culture and creativity of the century in which the variant was created. ‘Beauty and the Beast’ has been subject to numerous interpretations and retellings.
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